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	<title>Comments on: You can learn more from a critique than a compliment</title>
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	<description>The online poetics journal of Oscar Bermeo</description>
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		<title>By: EDUARDO BERMEO</title>
		<link>http://www.oscarbermeo.com/2009/09/you-can-learn-more-from-a-critique-than-a-compliment/#comment-1266</link>
		<dc:creator>EDUARDO BERMEO</dc:creator>
		<pubDate>Sat, 31 Oct 2009 18:26:40 +0000</pubDate>
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		<description>CONNECTIONS: IT IS NOT WHAT DO YOU KNOW, BUT WHO DO YOU KNOW.</description>
		<content:encoded><![CDATA[<p>CONNECTIONS: IT IS NOT WHAT DO YOU KNOW, BUT WHO DO YOU KNOW.</p>
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		<title>By: Bryan</title>
		<link>http://www.oscarbermeo.com/2009/09/you-can-learn-more-from-a-critique-than-a-compliment/#comment-970</link>
		<dc:creator>Bryan</dc:creator>
		<pubDate>Wed, 21 Oct 2009 18:04:33 +0000</pubDate>
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		<description>Khalil Gibran wrote one of the most profound short stories I&#039;ve ever read within 47 words. There&#039;s few works I&#039;ve run into that don&#039;t become interesting halved, quartered, chopped. Not so chopped as to become a twitter, mind you, but there&#039;s something for brevity and revision. 

To mangle a Chris Rock remark, a poem isn&#039;t you or its topic. It&#039;s the ambassador of that topic. Don&#039;t create diplomatic incidents then, unless you&#039;re prepared to go to war. ;)</description>
		<content:encoded><![CDATA[<p>Khalil Gibran wrote one of the most profound short stories I&#8217;ve ever read within 47 words. There&#8217;s few works I&#8217;ve run into that don&#8217;t become interesting halved, quartered, chopped. Not so chopped as to become a twitter, mind you, but there&#8217;s something for brevity and revision. </p>
<p>To mangle a Chris Rock remark, a poem isn&#8217;t you or its topic. It&#8217;s the ambassador of that topic. Don&#8217;t create diplomatic incidents then, unless you&#8217;re prepared to go to war. ;)</p>
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		<title>By: Oscar Bermeo</title>
		<link>http://www.oscarbermeo.com/2009/09/you-can-learn-more-from-a-critique-than-a-compliment/#comment-825</link>
		<dc:creator>Oscar Bermeo</dc:creator>
		<pubDate>Fri, 02 Oct 2009 04:33:44 +0000</pubDate>
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		<description>And that reminds me of a workshop I took with Albuquerque poet Danny Solis. Danny said the recipe for performance poetry was simple:  &lt;i&gt;Always go back to the impetus of your poem.  The need you felt when you first wrote it down and share that on stage.&lt;/i&gt;</description>
		<content:encoded><![CDATA[<p>And that reminds me of a workshop I took with Albuquerque poet Danny Solis. Danny said the recipe for performance poetry was simple:  <i>Always go back to the impetus of your poem.  The need you felt when you first wrote it down and share that on stage.</i></p>
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	<item>
		<title>By: Anisa</title>
		<link>http://www.oscarbermeo.com/2009/09/you-can-learn-more-from-a-critique-than-a-compliment/#comment-822</link>
		<dc:creator>Anisa</dc:creator>
		<pubDate>Thu, 01 Oct 2009 11:25:09 +0000</pubDate>
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		<description>Wow, interesting. I was talking to a veteran poet the other day who mentioned she usually goes through 20-30 revisions on a poem, always referring back to the original to keep aware of her original purpose. This reminded me of that conversation.</description>
		<content:encoded><![CDATA[<p>Wow, interesting. I was talking to a veteran poet the other day who mentioned she usually goes through 20-30 revisions on a poem, always referring back to the original to keep aware of her original purpose. This reminded me of that conversation.</p>
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