Father’s Day

In between class breaks from my creative writing intensive I decided to hit the library for some more inspiration. Being at the library is a bit of a guilty pleasure. I have dozens of great books at home that I haven’t read yet and really should before my “To Read” list hits a critical mass and there are some great local used bookstores that give me access to print journals and some rare out-of-print books. But the library’s special, it’s one thing to be published but to be published and in a library is some real wonder to me. And that’s why I love hanging out in the library, it reminds me that I need to work harder and keep pushing to get to the other side. (A point that was reinforced in a recent library pick-up, Seth Godin’s The Dip, you should check it out.)

Yesterday’s random poetry pick was Larry Levis’ Winter Stars. I first heard about Levis from Rich and then again when I started reading up on Fresno poets a year or so back. I’ve picked up and put back his book a couple of times already but yesterday I went the whole nine and took Mr Levis’ book out for a spin. So here it is, Father’s Day, and I’m reading some of the best father poems I’ve ever read. The man Levis describes full of life, violence, tenderness, soft-spoken, uncommunicative, who’s always been there, then left, then is back again, the shadow, the measuring stick, the contradiction. I know this man and have seen him take on a whole block of rowdy teenagers armed only with a dozen eggs. I’ve also seen him buckle and fold under the weight of whiskey and a picture of my mother. Yeah, the man in Levis’ poems sure does feel an awful lot like my own father.

Pops jokes that I owe him some mean commission for the number of times he appears in my work, the translation help he’s given me and for all the stories I’ve borrowed from him. I tell the ole man that there’s no money in poetry. Pops laughs at me. He’s still looking for some payback. I intend to give it to him in the form a library card and hope he can use it to checkout a book with a poem that he’s in. One day, I hope that’s my book but for now it’ll be Levis’ book.

    Winter Stars
    by Larry Levis

    My father once broke a man’s hand
    Over the exhaust pipe of a John Deere tractor. The man,
    Ruben Vasquez, wanted to kill his own father
    With a sharpened fruit knife, & he held
    The curved tip of it, lightly, between his first
    Two fingers, so it could slash
    Horizontally, and with surprising grace,
    Across a throat. It was like a glinting beak in a hand,
    And, for a moment, the light held still
    On those vines. When it was over,
    My father simply went in & ate lunch, & then, as always,
    Lay alone in the dark, listening to music.
    He never mentioned it.

    I never understood how anyone could risk his life,
    Then listen to Vivaldi.

    Sometimes I go out into this yard at night,
    And stare through the wet branches of an oak
    In winter, & realize I am looking at the stars
    Again. A thin haze of them, shining
    And persisting.

    It used to make me feel lighter, looking up at them,
    In California, that light was closer.
    In a California no one will ever see again,
    My father is beginning to die. Something
    Inside him is slowly taking back
    Every word it ever gave him.
    Now, if we try to talk, I watch my father
    Search for a lost syllable as if it might
    Solve everything, & though he can’t remember, now,
    The word for it, he is ashamed…
    If you can think of the mind as a place continually
    Visited, a whole city placed behind
    The eyes & shining, I can imagine, now it’s end—
    As when the lights go off, one by one,
    In a hotel at night, until at last
    All of the travelers will be asleep, or until
    Even the thin glow from the lobby is a kind
    Of sleep; & while the woman behind the desk
    Is applying more lacquer to her nails,
    You can almost believe that the elevator,
    As it ascends, must open upon starlight.

    I stand out on the street, & do not go in.
    That was our agreement, at my birth.
    And for years I believed
    That what went unsaid between us became empty,
    And pure, like starlight, & that it persisted.

    I got it all wrong.
    I wound up believing in words the way a scientist
    Believes in carbon, after death.

    Tonight, I’m talking to you, father, although
    It is quiet here in the Midwest, where a small wind,
    The size of a wrist, wakes the cold again—
    Which may be all that’s left of you & me.

    When I left home at seventeen, I left for good.

    That pale haze of stars goes on & on,
    Like laughter that has found a final, silent shape
    On a black sky. It means everything
    It cannot say. Look, it’s empty out there, & cold.
    Cold enough to reconcile
    Even a father, even a son.

from Winter Stars

and since kindergarten I acquired the knowledge

To MFA or not MFA? In my case, this question is entirely moot since I only have two semesters at (unnamed NYC engineering university) under my belt. Well, all that’s about to change for your boy in the Bay as I’ve signed up for a poetry intensive at a local city college and I am hella stoked.

The instructor insures me that the college poetry intensive will be very similar to the community workshops I’ve been taking for years so I should fit right in and hit the ground running. Still, I can’t help but be a little excited and somewhat nervous of being back in a classroom for the first time in 20 years. Like a proper word nerd, I’ve bought some new notebooks and have my day planned out to the letter. Huzzah.

So my expectations for this class are pretty straight-forward: I’m looking for a structured setting where I can produce a good amount of work that will be critique fairly by a group of readers who are all looking to improve their writing. Not much, eh?

More than anything, I’m hoping that being in a college environment gets me hungry for more. Some kind of minor degree in English? A chance to enter one of the Bay Area’s more rigorous writing programs? Something completely left field, maybe in Business or Mathematics? Who knows? Sky’s the limit. The point is I’ve been talking the talk about going back to school for years and now I get to walk the walk.

See ya on the other side.

Eduardo Galeano reads from Mirrors at Berkeley Arts & Letters

Eduardo Galeano reads from MIRRORS

I’ve been braggin’ all week to folks that Barb scored tickets to the sold-out Eduardo Galeano reading at Berkeley’s First Congregational Church. Sadly, most people smile nicely at me and ask, “Who’s Eduardo Galeano?”

I would be more indignant except for the fact that up until Barb first introduced me to Galeano’s work a few years back, I didn’t know who Galeano was either. Second confession, I also was not immediately wowed by his work. I read Walking Words and really didn’t get it. Not until I saw Galeano’s Lannan Literary video did I become a fan of his work, speaking voice, politics and process. To date, I’ve seen the video about four times and will probably keep borrowing it from my library when I need some inspiration.

As for last night, you know the reading is going to be off the hook when a lady is outside with a handwritten sign that says I Need One More Ticket. Not only was the event sold-out but book sales where off the chart with a runner coming back every other minute with another stack of pre-signed hardcovers every five minutes. In all the craziness, Barb and I managed to get some great seats in the first row center balcony and were promptly treated to everything we expected: fierce politics, unapologetic humanitarianism, wry delivery and meticulously crafted storytelling.

Galeano described Mirrors: Stories of Almost Everyone as “the history of the Universe in 600 short stories.” A bold claim from any writer but during his reading Galeano shared tales regarding West African sculptors, the Trojan War, pre-historic cave artists, the French Revolution, the first nations of the Américas, DW Griffith’s “Birth of a Nation,” Hernán Cortés, the Lincoln Brigade, George W. Bush & William McKinley, Ambrose Bierce, Alan Turing, Scheherazade, the Berlin Wall and Che Guevara. Now that might not be the entire universe but he did only read for an hour.

One of my favorite moments was Galeano speaking on how his education came not from universities but from life: “What I know about the art of writing and storytelling I learned from the cafés of Montevideo. This is how I learned to capture the past. How the story that happened centuries or millenia ago is also happening right now, as you are telling it. This I learned in the cafés. My masters were anonymous.”

Very fitting when you take into account that the main protagonist in the stories Galeano read for us were not the historical figures listed above, but the anonymous, the invisible, the disappeared, the forgotten, the jiabro, the fulano, the nobodies, the faces we see but do not engage.

More Eduardo Galeano
• Preview of Mirrors

Luis Alberto Urrea at the First Congregational Church of Berkeley


Luis Alberto Urrea
Originally uploaded by Steve Rhodes

Luis Alberto Urrea’s reading in Berkeley was more a recap of how the act of living has prepared Urrea to write his fantastic stories. How he learned that “sooner or later, the stories you’re told not to repeat become the stories people want to hear.”

The evening started with Urrea going over the story of his parents, how they met and married, his upbringing in the border towns of Tijuana and San Diego, the insane cast of characters he called familia, how his childhood home was transformed into a micro-version of the US-México border, and how the tragic death of his father all led up to the start of his writing career.

Another story recalls Urrea’s time in the Tijuana landfill where he was keeping a journal of the events around him. A local asks if he is writing everything down, when Urrea confirms he is detailing all he can, the local tenses with emotion. Urrea is unsure if the local is going to hit him or hug him but the local responds, “I was born in this dump. I’ve always lived by the dump. And, when I die, they’ll bury me in the dump. You tell them, tell them that I was here.”

It’s these moments when you feel like writing is not a hobby or chore, an endless debate over what is inclusive or exclusive; it’s these moments that you know you write because it is your purpose in the world. This balance between the wonder of the universe and detail to the everyday came out as Urrea read from his newest novel, Into the Beautiful North.

A wonderful Q&A followed where Urrea spoke of how he balances his father and mother languages, the way he deals with the tragedies in his writing, the importance of choosing the right mentors, and, one of his most important messages to audiences, to always leave a record of who you are. (Barb’s thoughts on the reading are here.)

Definitely the right messages, backed up by excellent prose, from a writer who understands the point of writing is to bear witness to “the daily sacred.”

More Luis Alberto Urrea
• Author’s website
• Biblio
• First three chapters of Into the Beautiful North

The Barbershop Reading Series: A Brand New ‘Do


Joe’s Barbershop
Originally uploaded by geminipoet

As soon as I heard about a new literary series starting up in SF, I was already down to check it out and support. But when I heard it was going to be happenin in a barbershop and I might have a chance to enjoy some quality fiction and poetry in the comfort of a barber’s chair, I was hooked.

If you’ve ever hung out at a barbershop, you know the deal. There’s a whole lot of smack talk going on, some from very reputable sources, some from some seriously shady origins, but no one stops to ask for references and sources, everyone just keeps on adding their own dash of Kool-Aid to the mix. And the one person who hears all the bravado and knows if it’s justified or not, is the barber. Part referee, part shrink, part minister, part sage, part part fool; this is the person who really knows it all but puts it all to the curb to focus on getting you your proper shape-up. Now imagine this source of so much orature actually housing some quality fiction and poetry literature readings… good times.

The first Barbershop Reading Series was jam packed with all the good seats taken quick but still plenty of space for everyone and the occasional straggler, plenty of refreshments and even some homemade cupcakes.

Kicking off the festivities was Barbershop Writing Group director Michael McAllister with a quick welcome and then going right to the first reader, Lorelei Lee. Lee’s reading was a beautiful story of mother and daughter connecting with each other as the 14 year old girl in the story comes out to her mom about losing her virginity. “Are you going to see him again?” mom asks. “I don’t think so,” says the daughter. Mom replies, “Sometimes it’s better that way.” And they proceed to celebrate with corner store champagne and Chinese takeout. A great story that bends in all the unexpected place to highlight what can happen when a family has enough love to expose all their dirt to each other.

Matthew Clark Davison was up next, gave us some background on his story, and then invited one of his other students (Lorelei is also in his class) to read the story. Lorena Laredo then read the piece–full of SF landmarks (even mentioning Joe’s Barbershop), ripe with introspection, detailed in the resolution over a recent tragedy–with a voice highlighting the nuance of the narrator. It was a fine moment for both Davison, a writer and teacher confident that all the work is on the page, and for Laredo, honoring the confidence her professor has in her speaking voice that (as Davison mentioned) also exists in Laredo’s written work.

Wolf Larsen was the musical guest and her acoustic songs added another layer to the evening. The refrain “You carry my coat/I’ll take your name” was haunting and strangely loaded with possibility.

Ending the night was Randall Mann whose work stay focused on one clear point, the realities of gay male life. Never focusing too keenly on overwrought drama or frivolous partying; Mann’s work finds a balance with the dark and the joy, using both elements like a film noir director would use smoke and shadow to obscure key characters and focus the bright streetlamp on the supporting actors. Mann achieves the same effect in his poetry shining a glaring light into the complexities of modern living.

Big shout outs to all the organizers for putting together a great reading for an audience that was focused on every phrase, music note and stanza and, most importantly, contributing to the future of literature by giving it a new venue to thrive.

More info on the Barbershop Reading Series can be found on their website, Twitter and Facebook.