Paul Flores reads from Saul Williams’ The Dead Emcee Scrolls

Paul Flores had a great talk at USF today- THE LEGACY OF AUTHENTICITY: From the Anti-establishment Beat Movement to the Mainstreaming of Hip-Hop. The time line he presented, making a direct correlation from Ginsberg’s Howl to Saul Williams’ The Dead Emcee Scrolls, was a well presented study of the complexities of Hip-Hop. For me, the time line is more jazz fuels Langston Hughes and the Harlem Renaissance, which then fuels Bob Kaufman, William Burroughs, Allen Ginsberg and the Beats, which then fuels Amiri Baraka and the Black Arts Movement, right to to Gil Scott-Heron’s “The Revolution Will Not Be Televised” which is where hip-hop poetry (even before the term hip-hop comes to be) is born.

Previous to this talk, I considered Saul a mutli-genre performance artist who used slam poetry to launch his acting and music career and then never looked back. This is no hate, you can hear Saul say as much in the film Slam Nation and also find similar comments in his interview in Words in Your Face. After Paul’s talk and his reading of the passages in the videos below, I think I will be looking for The Dead Emcees Scrolls next time I’m in a good used bookstore.

Author: Oscar Bermeo

Born in Ecuador and raised in the Bronx, Oscar Bermeo is the author of the chapbooks Anywhere Avenue, Palimpsest, Heaven Below, and To the Break of Dawn. He lives and works in Oakland, CA.

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