Some audio that’s been keepin’ me busy lately:
Douglas Kearney on Fishouse Poems
– Great talk on process, form, and reading poems out loud.
Highlights for me include “Live/Evil” and “The City Vs. John Henry.”
I suggest you head over to his website and download his free chapbook.
KUHF-Arte Publico Press Author of the Month: Javier O. Huerta
– Great interview, wonderful insights, and excerpts from Some Clarifications y otros poemas. The interviewer moves this podcast through with sharp questions and personal commentary that measures up well to Javier’s expert talk and fine poems.
Patricia Smith interviewed by Belinda Subraman
– It is always a treat to hear Patricia’s poems, but I wish Ms Subraman had done some more research on Patricia before hand. I was wincing when she tried to stuff Patricia’s broad poetics into the box of slam poetry. Patricia blurring that line and reminding the listener that consideration for audience should be something on the mind of all (slam, performance, experimental, narrative, formalist, confessional, political, visual, flarfist, humorous, serious, insert your label/title here) poets was the jam.
Latino Poetry Review’s inaugural audio segment
– Francisco has a great talk with MarÃa MelÃ©ndez about LPR, Javier and Corky’s Craft, and why some poems don’t make it into the manuscript. I’m looking forward to the next segment.
– or the Bonchiche News Network meets NPR meets Radio WADO.
Rich keeps Acentos moving forward with a roundtable discussion on the current direction of the series with Emiliano Bourgois-Chacon, Jose Olivarez, Bonafide Rojas, Urayoan Noel, LiYun Alvarado and Acentos host John Rodriguez. (Bios can be found here.)
Me, I’ll take a little step back and say this session sounds a lot like kicking it late night by the window of the Blue Ox Bar with Matt, Juancho, and Tata, as I ask Guy for advice on how to thwart the white male gate keeper/defender of the ivory tower who only wants classical poetry that doesn’t take a political stance. In that case, it turned out to be the actual owner of the venue who was Caucasian, did have the keys to the door, really did love rhyming olde English couplets, and continually begged me to tone down the ethnic poetry. Ah, memories.