Wow, I don’t think I have ever read this much hard fiction since high school but it’s a good break outside of the poetry box with the dual high points of Junot DÃaz’s eclectic lingua franca of the New Hersee/Dominicano experience and Djuna Barnes’ solid everywoman prose essay style of 1911-1930 New York City.
For the near future, I need to add some grammar/essay writing books into my diet so I can get some more basics down and then start writing/submitting a couple of poetry reviews. Though I’m not sure that what I want to do is an actual poetry book review style review, I would love to find that in-between road of reviewing that would get a person who liked reading Oscar Wao to get to reading some Smoking Lovely. Ya know? Cuz some of the poetry reviews I’m reading seem more interested in talking to people who already have the book in hand as opposed to getting the poetry into new hands. But that’s a rant for another day.
“The real Bronx has nothing to do with facts, as the real Greenwich Village has nothing to do with facts, as no real good woman has anything to do with facts.”
— Djuna Barnes from New York: Prose Essays
â€¢ Working in the Dark: Reflections of a Poet of the Barrio by Jimmy Santiago Baca
â€¢ City Eclogue by Ed Roberson
â€¢ Selected Poems by Gwendolyn Brooks
â€¢ DC: The New Frontier, Vol. 2 by Darwyn Cooke
â€¢ The Brief Wondrous Life of Oscar Wao by Junot DÃaz
â€¢ Swamp Thing Vol. 2: Love and Death by Alan Moore, Stephen Bissette, John Totleben, and Shawn McManus
â€¢ May Day Speech by Jean Genet
â€¢ Slapboxing with Jesus by Victor D. LaValle
â€¢ Facts for Visitors: Poems by Srikanth Reddy
â€¢ Dark City by Charles Bernstein
â€¢ The True Story of the Three Little Pigs by Jon Scieszka and Lane Smith
â€¢ New York: Prose Essays by Djuna Barnes