Back at the Nuyo

Hit a reading for the first time in weeks and at the Nuyorican no less. Cheryl Boyce Taylor was the feature so I knew that meant great hugs and even better poetry, or vice versa.

Some of Cheryl’s work went right over the crowd’s head but she still delivered all the goods especially the “dialect” poems. The best one being ‘Deh Accuse Meh’ which directly addresses the tenuous line drawn by (ironically enough) native Caribbean speakers when Cheryl chooses to write poems in Trini dialect.

I once asked Cheryl to do ‘Mango Pretty’ at a reading, she told me that her dialect poems require some extra energy and she wasn’t quite feeling it that night. Now I understand what she means. It must be rough to have your core audience question the language you choose to employ in your poetry even when said language is broadening the poetic experience across the board.

They say that a good number of languages, specifically native dialects of major(?) languages, silently die every year. An ancestor mumbles some strange speak that only the little children in the house understand and you wonder if its just baby talk or a verb for unrequited love.

Miguel Algarín was also in the house and I didn’t have to introduce myself for the fifth time to the man. We makin’ progress!

On the TO DO LIST for this month: Read Cheryl’s new book, Convincing the Body.

  

  

  

Omnia mutantur, nihil interit.

“I have no liking for prisons, Master Li. Sometimes I suspect that we build our traps ourselves, then we back into them, pretending amazement the while.”
• Dream addresses Master Li (SANDMAN #74, The Exile)

There is another great quote in this issue regarding the evasion of responsibility but for now we will stick to the idea of traps, a thread that recurs through the run of Gaiman’s SANDMAN as Orpheus, a being equal parts function and devise, is quite attune to the nature of tools.

This is where I find myself today as I sweat over a manuscript that is trying to find a clear voice on the page but more often that not remains reactionary to the voice of the stage with my early writing entrenched in the first person narrative “I got a story to tell ya” voice of slam and my later pieces doing a 180 degree turn that has me running backwards from performance poetry.

I am also feeling quite foolish at the idea that I could whip up a manuscript in a relatively short time. This was going to happen sooner or later and I am glad that it’s happening now because I want to return to the point where poetry is in my mind all the time.

I have spent the last three years wearing multiple poetic hats- writer, editor, curator, host, promoter, self-promoter and performer. The last one is becoming a role that I am slowly walking more and more away from. At one point, I was on a 39 month streak where I was featuring somewhere or the other at least once a month. Current features lined up for 2006—One. And I am thinking of dropping that one as well.

None of this takes away from what I consider makes me a poet but it does signal a shift in how I am going to be attacking my poetry this year with journal submissions replacing featured gigs as my main impetus for writing. The toughest part of this will be the visualization of a core audience and how they will hear the poems in the mental stage I will be constructing since I sill feel the oral tradition of poetry is very key to my poetic voice and how I feel poetry, in general, should be experienced.

More to come later but for now, I got work to do.

• Master Li asks Dream a final question
(SANDMAN #74, The Exile)
“Lord — what was it the barbarian said, as the riders vanished?”

“‘Omnia mutantur, nihil interit.’ ‘Everything changes, but nothing is truly lost.’ Fare you well, Master Li.”

closing out the year


mantra
Originally uploaded by oscarb.

if one image could encapsulate the best of 2005, this one would be it.

biggest lesson learned this year– life is gorgeously chaotic

low point of the year– nearly losing my best friend

high point of the year– there have been quite a few and i expect there to be many more but you can view cornelia street café as a flashpoint

with all that said and done, 2006 is shaping up to be my best year ever with a couple of (maybe not so) surprises in store

ding! the nebulous bell!

Happy New Year!


How you got here

Ending 2005 with some strange web searches to ye olde blog (plus the commentary)

spanish champion poem
– un slam en español?

houseboy in Houston
– gotta love the consonance

who started the phrase “grill” for your face
– if it was in reference to the much desired Cadillac grill, i would guess a mechanic

les sit de veruss
– oui, mon frere

what does prick mean in spanish?
– know that i look at this, i can see how it is a legit question but it still made me laugh for a second

Stuart Scott poetry slam
– cooler than the other side of the pillow

Why +Ecuadorian +Crazy
– it’s a south american thing, you wouldn’t understand

woke up this morning feeling happy
– that has been the catchphrase lately

Poetry about the Bronx
– only after i moved out. hmmm, best get ready for a slew of NYC poems

oscar poet
– palabra

migente cafe Bronx
– ahhh, where the online magic first began

1000 word poems
– worth as much as a picture?

santiago + hustler + morales
– face + lost money + fist

Emelec Jersey
– for the record, soy un Barcelonista but i still rep ecua to the fullest when i can

ox of peaces
– is this anything like the pygmy goat of doom?

gout knee scotch
– DON’T DO IT!!!

“banco popular” shit
– try Citibank

achoo etymology
– bless you

kobe pimp limp
– this one keeps coming up and i have no idea why

bono as a poet
– “We wait all day For night to come And it comes Like a hunted child”
Bono Vox indeed!

over exaggerating poems
– see your nearest slam venue

ob huge down here phil song
– WTF?

“future poet” + “blogspot”
– this made me smile as it goes back to something some wrote to me at the first Acentos

+mitchell’s +”ice cream”
– will be a more frequect stop

juniors cheesecake poem
– sadly, a less frequent future haunt

bronx gang poem
– funny only cuz i have no gang experience at all